Paint Protection Film – What Is It?

Everything you purchase, you seem to want to keep safe from harm. Whether it be screen protectors and cases for your phone, or sleeves for your laptop, you want to ensure it remains scratch and damage free for as long as it can survive. So why then, do people not care the same about their cars? I mean sure, you wouldn’t give two hoots if the car you drive is just some beat up old lemon, but there are more new cars on the road now more than ever (FCAI 2017). New cars today are more fragile, delicate, and quite frankly, aren’t exactly built to last like old cars. No wonder you hear the passing comment of “they don’t make ’em like they used to”. So it makes sense to want to ensure your car will last as long as it possibly can.

Now, there are preventative measures, such as ensuring it’s well maintained, cleaning it, and driving carefully. But, what about factors you can’t control. For instance, a small piece of gravel that’s been kicked up by a semi-trailer, and ricochets off your bonnet, or roof, or mirror, or any part. This is where paint protection film steps in. Its purpose is similar to that of bulletproof glass (please do not shoot at a car with paint protection film). It’s job is to absorb the impact by acting as a barrier. Its composition is made up of a polyurethane film, not too far off the stuff used on armoured glass. The use of paint protection film is to ensure that little to no harm comes to your vehicle. I mean, it’s not going to protect you if you another car slams into you at 60km/h. That job is reserved for your seatbelt and airbags. It will, however, stop those unruly scratches, stone chips, and even minor abrasions. It even protects your paint work from pollutants and contaminants, such as bird droppings, tree sap, dirt, dust and other unfavourable things that could damage your paint. Paint protection film can save you a tonne of money in the long run. While more affordable alternatives, namely ceramic coating, are available, they do not provide the protection against scratches and rock chips. Paint protection film does.

Paint protection film is also a fantastic way to preserve your vehicles colour, especially if it’s a custom colour! It’s a preferred product for classic cars, you know, the ones that were “made like they used to”. These cars are often high end classics, with discontinued paint finishes, so it’s no wonder they would want paint protection.

How To Sell a Movie Script – Volunteering on a Film Set

Volunteering on a film set can be the solution to how to sell a movie script, as it will give you the opportunity to network with a lot of people over the course of the production, but there are a couple of things that you need to keep in mind if you are going to try to implement this strategy.

First and foremost is that, depending on where you live, there may not be any movies shooting in the exact town that you live in (which is the situation for the vast majority of towns, by the way.) If that is the case, you can look up the film board or film information office of the biggest town that is closest to where you live and try to find out if there are any upcoming productions that are coming to film in the general area. Paperwork has to be filed ahead of time with the state before the production starts filming, so if you have a film office in that city, someone should be able to inform you of what the status of any upcoming productions that are coming to film in the area are.

Also, you should keep in mind that while there is a chance you could be asked to do something related to writing, there are any number of other things that you could be asked to do as well, which include, but are not limited to, the following:

1. Performing in the film (a lot of writers are also performers, especially in the comedy world)

2. Being a part of craft services (dealing with food for people on set)

3. Location scouting for the film (will depend on how familiar you are with the area)

4. Providing and applying makeup (either regular or SFX type) for the cast

5. Working as a direct assistant to the producer or director

6. Providing a script polish of the current shooting script (great way in terms of learning, at least partially, how to sell a movie script)

7. Being a part of the technical crew (AD, Gaffer, etc.)

Should you find yourself with the opportunity to work on a film set, keep in mind that how you present yourself is everything in these situations. If you remain ready, willing, and able to work and don’t come in with an attitude, people higher up on the ladder will take note of that and ask you to work with them again on future projects (again, which could involve learning how to sell a movie script), which will only deepen your friendship with them, which increases your odds of being able to pitch them on your project.

Investing in Film As a Non Correlated Asset Class Opportunity For Affluent Investors & Hedge Funds

The term non-correlated asset classes covers a whole range of potential investments, including venture capital, real estate, private equity, and commodities, but also alternative investment strategies.

But in today’s economy of crashing public equity markets, defaulting hedge funds, and non-existent real estate plays, one company believes investing in film slates, including theatrical distribution, offers a high yield alternative investment that can be leveraged with tax benefits and multiple sources of revenues including theatrical, DVD, video on demand, cable, and the foreign markets.

As a non correlated asset class, films and film finance has outperformed every non correlated asset class in the world if you look at the more than $6 billion dollars poured into motion picture finance deals in the last 3 years, the IRR across the spectrum for both studios and independents are resilient to global economic declines in other industries.

When defense contractor Honeywell, New York Hedge Fund Elliot Associates, and Dune Capital invested more than a combined total of more than a billion dollars towards several different film funds, many pension funds, private banks, hedge fund managers, private equity groups, and high net worth investors and family offices started to follow suit enter the movie business.

Investors from Wall Street to Silicon Valley to the Middle East to Russia have been parking their money into Hollywood.

Anil Ambani, Larry Ellison Of Oracle, Paul Allen Of Microsoft, Steven Rales, Fred Smith of Federal Express, Norman Waitt, the Co-Founder of Gateway Computers, Jeff Skoll Of Ebay, Marc Turtletaub of The Money Store, Roger Marino Of EMC Corp, Sidney Kimmel Of Jones Apparel Group, Minnesota Twins owner Bill Pohlad; Real Estate Developers Tom Rosenberg and Bob Yari, and, financiers Sheikh Waleed Al Ibrahim, Michel Litvak, and Philip Anschutz are all behind the finance of a lot of films that range from box office hits to Academy Award winners.

Institutional investors and hedge funds investing in films include Elliot Associate, Stark, Columbus Nova, Bain, Honeywell, and others.

Non-correlated investment strategies can be used by investors to neutralize, or counterbalance, the risk that one, or more, of the investments in a traditional portfolio of stocks and bonds falls in value. In order to do this, investors typically place between 5% and 20% of their total investment portfolio into alternative investments to protect the remainder of the portfolio from downside risk.

Among the spectrum of asset classes targeted by high net-worth individuals, institutional investors, pension funds or private banks, alternative investments are becoming popular offering more diversification to investors’ portfolios. The benefits of such diversification have been demonstrated by Harry Max Markowitz ( 1990, Nobel Prize in Economics ) in the Modern Portfolio Theory. He proved mathematically that an investor can reduce portfolios’ risks simply by holding instruments which are not perfectly correlated – a correlation coefficient not equal to one. By holding a diversified portfolio, investors should be able to reduce their exposure to individual asset risk.

If investors are attracted by alternative investments in their quest of alpha, it is because allocating to alternative investments offers advantages compared with traditional asset classes and diversification to a portfolio âEUR” though involving a certain level of risk.

As investors have become more concerned about their risk-adjusted returns, especially in bearish market environments, interest in alternative investment strategies gained momentum.

By investing in alternative investments, a portfolio manager or a given investor aims at obtaining performance from the relationships between securities. A non-correlated asset class behaves independently from other securities composing a portfolio. Such investment vehicles allow investors to hedge the risk that an asset falls in value and avoid any snowball effects. One of the main benefits of alternative investment strategies lies in the fact they minimize downside risk.

When educated about properly structuring leveraged film finance which may also include U.S. and international tax incentives to minimize the risk many private bankers, sovereign wealth funds, high net worth investors, family offices, and pension plans understand that they are not gambling on one film hoping to win a film festival. When a company is looking to finance 10, 20, 40,50, 75 films there is more than just upside on revenues from each one but a final exit strategy after 5-7 years that can bring 300-400% returns on capital invested.

Film, Entertainment, Media, And Hollywood in general seems to be thriving and immune from economic woes. If you look at the theatrical box office receipts and DVD growth of recent films, including ‘Slumdog Millionaire’ or “Twilight” which had zero movie stars, the ROI on these and numerous other films exceed the ROI and revenues of auto manufacturers, real estate, stocks, mutual funds, etc. Primarily because a well made film is not a local commodity that is just bough and sold once but a global one that has revenue potential from more than 50 countries and medias including theatrical, cable, tv, satellite, airline, DVD, and the huge explosion of Video on Demand.

While some private equity outfits may balk at the notion that Hollywood is safe this country was built based on blue chip industries and for the retail investors, Wall Street and Real Estate was the path to go. Well, when retail investors as well as institutional investors are transitioning from brick and mortar investments to the film business, the underlying factor is ‘why’?”

Some U.S. investors and C corporations are looking for either a strict 100% deduction of their investment under IRS Section 181 or simply being in a portfolio of non correlates investment opportunities. Overseas investors simply want a high yield non-correlated asset class that has long term appreciation such as our hybrid film slate and 100% control over U.S. theatrical distribution.

And for smaller retail investors, not including affluent families or ultra high net worth investors, the bridge between film finance, film production, distribution, and technology are converging so that investors see their investment bring an immediate return from the monetization of state tax credits as part of the equity stream,  an upside in a number of films vs. investing in a single picture, possible Section 181 benefits, as well as being involved with creating jobs and stimulating the economy since every film production creates 50-100 jobs.